![]() ![]() if you work with a 50i based studio system the rate most likely will be 50. Scroll down to the Camera Tracking section and select the device brand you plan to use.įirstly specify the Data rate, the rate the tracking system sends position information at. Go to Device Mapper and click Manage Devices at the bottom. First, you have to select what brand you want to use and with what network configurations. Setting up the camera and other SDI inputs and specifying the outputs is done exactly the same way as with the Setting Up Virtual Sets with VR Cameras.īy default, no camera tracking devices are listed in the system. In this documentation, we describe how to transfer and calibrate a person's image into a 3D virtual space, using real-world tracked cameras. If not, please watch the documentation: Setting Up Virtual Sets with VR Cameras Of a virtual studio system with virtual cameras. VirtualStudio.Note that this documentation assumes that you are already familiar with the standard-setting up How To Use a Virtual Set and Studio in a Video Production If you want the Starship Enterprise, we do carry out bespoke virtual studio design and if you want it we’ll make it (but we don’t have any presenters that speak Klingon).įor more information on our virtual studio design services, please do contact us today. The trick seems to be the old adage of ‘keep it simple’ and don’t try to create the flight deck of the Starship Enterprise. Ultimately we achieved everything we set out to do and the new studios coming online are even better. The end result of the illusion of the presenter existing within the virtual environment was definitely heightened. So we built a real desk with a Perspex front and lit it with some multicoloured LED par cans. If we placed a virtual desk in front of the real presenter the illusion of the two coexisting is lessened. ![]() Why? Because the eye is fixed on the real presenter and the virtual studio is just a background. In comparison the latest three studios only took a week.Īn interesting (heated) conversation that cropped up was shall we have a virtual desk or a real one? The answer, a real one. Finding the animator with the skills we needed and then constant testing took over six months just to sign off one studio. Designing our own bespoke virtual studios was in hindsight the best thing we did but at the time a right pain. The virtual sets we found were either sci-fi, sports or filled with plasma screens and none of them looked even vaguely real. We ultimately wanted to create the most photo realistic studios possible and after a couple of days searching the web we drew a blank and decided we’d have to make our own. ![]() Keeping it real (I’m so down - or is it up? - with the kids) was the biggest challenge we faced when creating our virtual studios. ![]()
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